Li Xinai

In the center of the painting, a young Asian woman is naked, showing every curve of her body to the viewer in a classical and bold posture. She is slender and well-proportioned, with fair skin like cream, glowing with a healthy gleam, as if she had just taken a bath, exuding an alluring luster. Her appearance is exquisite and full of oriental charm. A standard oval face, a full forehead, smooth and flawless. A pair of bright and deep almond eyes, double eyelids with smooth lines, thick eyelashes, eyeliner outlines the charm of the end of the eyes, and the eyes look straight ahead with a hint of concentration and teasing. The willow-leaf eyebrows are trimmed just right, perfectly matching the shape of the eyes. The nose is straight, and the nose is small and delicate. The plump red lips are painted with an alluring red lipstick, with a clear lip peak and slightly open, as if silently inviting. All the black hair is combed back and tied into a simple bun behind the head, revealing her graceful neck line, adding a touch of classical charm. Her body curves are exquisite, full of feminine beauty and strength. Both breasts are round and full, standing tall, of moderate size, with a faint cleavage. Two dark brown nipples are proudly protruding, and the surrounding areola is round and slightly lighter in color, forming a sharp contrast with the nipples, indicating the primitive vitality of life. Above the left breast, a small brown mole is dotted on it, like a unique mark given by nature. There is no fat on the flat belly, and the navel is concave, small and delicate. The slender waist twists slightly to the left, outlining an attractive S-shaped curve, connecting the round and full buttocks. Looking down, her mons pubis is full and bulging, covered with a thick black pubic hair, which is in the shape of a perfect inverted triangle, like a mysterious jungle, which is fascinating. The pubic hair grows naturally, showing the original beauty without modification. Under the cover of the pubic hair, the deep folds of the labia can be seen, exuding primitive charm. Her legs are long and straight, with her right leg as support and her left knee slightly bent, making the lines of her whole body more smooth and graceful. Her movements are full of artistic atmosphere. Her right hand gently holds a bamboo brush, with the tip of the brush facing her right shoulder, and the brush tip is thick and black, as if ready to splash ink at any time. Her left hand gently presses on the dark brown wooden desk in front of her, with slender fingertips and clean nails, as if she is stabilizing the rice paper spread on the desk. On the desk is a beige rice paper with ink dripping on it. The black brushstrokes and the occasional flash of light brown smudges interweave to outline the unrestrained cursive script, as if the brush and ink contain endless passion and power. The whole scene is filled with a strong atmosphere of Chinese classical culture. The background is deep black, which sets off the fair skin of the characters and the simple texture of the props. Two beige calligraphy scrolls are hung in the background. On the scroll on the right, the words "Nine-day fairy appears in the clouds, with a red silk fan, covering her face and eyes" are clearly visible, while on the scroll on the left, ancient poems such as "The sound of Qujiang River in the deep desert is the same as the Buddha, all things are mechanical, and the middle-aged lost road is idle, Gaozong either retired or returned" are written. These words and the naked female body form a strong visual and cultural impact, showing a unique beauty intertwined with taboo and art. A part of a dark brown wooden Chinese armchair can also be seen on the right side of the picture. The light is bright and even, clearly presenting every detail of the female body, creating a visual feast that is both classical and modern, both implicit and unrestrained.